Lang College, Spring 2011, group forum for daily readers' responses and links, media, etc.
READ THIS: PRESENTATIONS
PRESENTATIONS: please take these seriously: they are an important part of your participation in the class. Your job when you present is to lead the discussion on the reading for that day. You may bring in some research, but most of all, you should be very well-prepared with insights, interpretations, and questions about the reading at hand. You may want to begin by summarizing the progress of the plot represented by the excerpt assigned on that day. Then you should have passages picked out for the class to discuss. You may want to be ready, also, with the posts for the day (you can copy and paste them and print them out). The purpose of the presentation is to give more responsibility to the classmembers and de-center the discussion a little bit (although I will still chime in). Here are your assignments, mostly random. 1. Wed. 3/30 Small Things, 84-147, Eidia. 2. 4/4 Small Things, 148-225, Hannah. 3. 4/6 Small Things, ending, Anna. 4. 4/11 Ondaatje, Dan. 5. 4/13 Mukherjee, Michael. 6. 4/18 Poppies, 3-87, Karol. 7. 4/20 Poppies, 88-156, Jason. 8. 4/25 Poppies, 157-226, Joe. 9. 4/27, Poppies, 227-342, Will. 10. 5/2 Poppies, 343-446, Rachel. 11. 5/4 Poppies, finish, Jane.
Monday, February 28, 2011
The Language Wars: analyzing Rushdie's style pp. 273-336
For this post, please analyze one of the passages below. In class, we will analyze each one: you should contribute when we get to yours. As we've established, Rushdie employs a "dialogic" style, meaning that he writes in many voices. As you look closely at the passage you've picked, try to pick out the voices: the author/narrator; the voice of the Indian people; the scientist or specialist; the poet; the historian; the ordinary or uneducated person, etc. What satirical purpose does he create through mimicry? Also, analyze his use of allusions, rhythm, tone, imagery, repetition, inside jokes - and other techniques of literary poetics. Passages: 1. p. 273, beginning "Sensing Padma's..." and ending "...passed us by." 2. 274-275 from "Not the dark one..." to "...lots of fun." 3. From "My mumani" (276) to "..Life of a Pickle-Factory" (277). 4. From "The ghost of Joe..." (280) to "..confusion you will unleash." (281). 5. From "When I returned..." (285) to "..was a terrific exit." (286). 6. From "In this way..." (292) to "...with one single thing." (293). 7. From "Who listed..." (295) to "...with the Reaper. (With my help.)" (296). 8. From "I confess: what I did..." (297) to "AFTER NEHRU, WHO?" (298). 9. From "KNOW, O UNBELIEVERS..." (306) to "...of Good Family." (307). 10. From "It was said; could not be unsaid..." (312) to "...would probably have approved." (313). 11. From "Of course, I nodded." (332) to "...over the bed like a shroud." (333).
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