Lang College, Spring 2011, group forum for daily readers' responses and links, media, etc.
READ THIS: PRESENTATIONS
PRESENTATIONS: please take these seriously: they are an important part of your participation in the class. Your job when you present is to lead the discussion on the reading for that day. You may bring in some research, but most of all, you should be very well-prepared with insights, interpretations, and questions about the reading at hand. You may want to begin by summarizing the progress of the plot represented by the excerpt assigned on that day. Then you should have passages picked out for the class to discuss. You may want to be ready, also, with the posts for the day (you can copy and paste them and print them out). The purpose of the presentation is to give more responsibility to the classmembers and de-center the discussion a little bit (although I will still chime in). Here are your assignments, mostly random. 1. Wed. 3/30 Small Things, 84-147, Eidia. 2. 4/4 Small Things, 148-225, Hannah. 3. 4/6 Small Things, ending, Anna. 4. 4/11 Ondaatje, Dan. 5. 4/13 Mukherjee, Michael. 6. 4/18 Poppies, 3-87, Karol. 7. 4/20 Poppies, 88-156, Jason. 8. 4/25 Poppies, 157-226, Joe. 9. 4/27, Poppies, 227-342, Will. 10. 5/2 Poppies, 343-446, Rachel. 11. 5/4 Poppies, finish, Jane.
Sunday, February 27, 2011
Jane-Rushdie-2/28/2011
Throughout the narrative we find ourselves questioning Saleem as a reliable narrator and whether or not he is in fact, insane, which is why is find the opening paragraph of All- India Radio telling about Saleem's interpretation of history to be truthful. At the end of the passage when he says, "I reiterate, without a sense of shame, my unbelievable claim: after a curious accident in a washing-chest, I became a sort of radio" (Rushdie, 189) I was reminded of an earlier passage wherein several villagers find Saleem's grandfather's optimism in the face of revolt and bloodshed disconcerting: "The old men at the paan-shop at the top of Cornwallis Road chewed betel and suspected a trick. I have lived twice as long as I should have,the oldest one said, his voice cracking like an old radio because decades were rubbing up against each other around his vocal chords" (Rushdie, 38). This seems to correspond to Rushdie's metaphor of the distortion of the movie screen when seen up close to our perception of history when in the present. As another modern device, the likening of the old man to the garbled sounds of a radio being the result of decades past melding into one another speaks further Saleem comparing himself to a radio and whether then we can trust him as a reputable source of knowledge on India's past.
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