Lang College, Spring 2011, group forum for daily readers' responses and links, media, etc.
READ THIS: PRESENTATIONS
PRESENTATIONS: please take these seriously: they are an important part of your participation in the class. Your job when you present is to lead the discussion on the reading for that day. You may bring in some research, but most of all, you should be very well-prepared with insights, interpretations, and questions about the reading at hand. You may want to begin by summarizing the progress of the plot represented by the excerpt assigned on that day. Then you should have passages picked out for the class to discuss. You may want to be ready, also, with the posts for the day (you can copy and paste them and print them out). The purpose of the presentation is to give more responsibility to the classmembers and de-center the discussion a little bit (although I will still chime in). Here are your assignments, mostly random. 1. Wed. 3/30 Small Things, 84-147, Eidia. 2. 4/4 Small Things, 148-225, Hannah. 3. 4/6 Small Things, ending, Anna. 4. 4/11 Ondaatje, Dan. 5. 4/13 Mukherjee, Michael. 6. 4/18 Poppies, 3-87, Karol. 7. 4/20 Poppies, 88-156, Jason. 8. 4/25 Poppies, 157-226, Joe. 9. 4/27, Poppies, 227-342, Will. 10. 5/2 Poppies, 343-446, Rachel. 11. 5/4 Poppies, finish, Jane.
Monday, April 18, 2011
SEA OF POPPIES: a political parable
It's becoming obvious that this book has a specific and familiar political bent, and key scenes are best read with this in mind. Although we've touched on it, the discussion between Burnham and Zachary is key to the book. You can focus on Burnham's attitude's and beliefs: is he a plausible character or an exaggerated villain? Of particular interest is Burnham's attitude towards slavery. Also, Zachary's eagerness to please. Or you can focus on Burnham's explanation of the business and the future of the boat. Also worthy of notice is Deeti's intimate encounter with the unconscious and simple-minded Kalua: what is the symbolism of this scene and Kalua's character? When Neel thinks of Burnham's approaching visit, much is explained about the relationship between the Rajas and the English businessmen. Then at the dinner scene - maybe the most important in the book theme-wise - we learn more about Burnham's philosophy. Discuss the political implications of his arguments about free trade and opium. What kind of character is Neel - as seen in the dinner scene with Burnham and Doughty? How is he different from his father? Surely, he, too, is an "oppressor" of sorts, since he is in the position of a fedual lord. So, how does he fit into the morality of the book? The relationship of Dobi and Paulette must remind us of other relationships in other books. Also, to back up a bit, the description of the opium factory when Deeti goes there has strong political implications. Pick any of these things for your post. Are the characters essentially helpless, or are they more like Dickens characters: striving in spite of great odds and powerful forces? Is this closer to the traditional novel? Which characters seem to be the scheming puppet masters who make things happen? Is it more the powerful men or those associated with the laboring classes?
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