READ THIS: PRESENTATIONS

PRESENTATIONS: please take these seriously: they are an important part of your participation in the class. Your job when you present is to lead the discussion on the reading for that day. You may bring in some research, but most of all, you should be very well-prepared with insights, interpretations, and questions about the reading at hand. You may want to begin by summarizing the progress of the plot represented by the excerpt assigned on that day. Then you should have passages picked out for the class to discuss. You may want to be ready, also, with the posts for the day (you can copy and paste them and print them out). The purpose of the presentation is to give more responsibility to the classmembers and de-center the discussion a little bit (although I will still chime in). Here are your assignments, mostly random. 1. Wed. 3/30 Small Things, 84-147, Eidia. 2. 4/4 Small Things, 148-225, Hannah. 3. 4/6 Small Things, ending, Anna. 4. 4/11 Ondaatje, Dan. 5. 4/13 Mukherjee, Michael. 6. 4/18 Poppies, 3-87, Karol. 7. 4/20 Poppies, 88-156, Jason. 8. 4/25 Poppies, 157-226, Joe. 9. 4/27, Poppies, 227-342, Will. 10. 5/2 Poppies, 343-446, Rachel. 11. 5/4 Poppies, finish, Jane.

Tuesday, April 5, 2011

Anna-Roy 4/6

"Writers imagine that they cull stories from the world. I'm beginning to believe that vanity makes them think so. That it's actually the other way around. Stories cull writers from the world. Stories reveal themselves to us. The public narrative, the private narrative - they colonize us. They commission us. They insist on being told"


This combined with the quote by John Berger at the beginning of the novel, " Never again will a single story be told as though it's the only one." explains to me the structure and the circular time and Rushdie-like all encompassing narrative. 


I think the emotions and the evocative nature of the story comes from the political side of Roy eeping out through the story tellers lense. 


She is much more than just a writer which was explained in the pre-speech introduction (from the transcript) . She only has one novel- for her it is less about writing lots of novels, tan saying what needs to be said, which she is doing through screenplays and essays, and once did through a novel. I had a very different idea of the novel actually before I heard this speech, which gives it a much more political slant. The speech puts her up on a level with Naipaul and Rushdie, whereas I might have thought her more passive wrongly equating her, from her writing as a gentle poetic- this though is more interesting- more productive. But now what what can the novel mean?

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