READ THIS: PRESENTATIONS

PRESENTATIONS: please take these seriously: they are an important part of your participation in the class. Your job when you present is to lead the discussion on the reading for that day. You may bring in some research, but most of all, you should be very well-prepared with insights, interpretations, and questions about the reading at hand. You may want to begin by summarizing the progress of the plot represented by the excerpt assigned on that day. Then you should have passages picked out for the class to discuss. You may want to be ready, also, with the posts for the day (you can copy and paste them and print them out). The purpose of the presentation is to give more responsibility to the classmembers and de-center the discussion a little bit (although I will still chime in). Here are your assignments, mostly random. 1. Wed. 3/30 Small Things, 84-147, Eidia. 2. 4/4 Small Things, 148-225, Hannah. 3. 4/6 Small Things, ending, Anna. 4. 4/11 Ondaatje, Dan. 5. 4/13 Mukherjee, Michael. 6. 4/18 Poppies, 3-87, Karol. 7. 4/20 Poppies, 88-156, Jason. 8. 4/25 Poppies, 157-226, Joe. 9. 4/27, Poppies, 227-342, Will. 10. 5/2 Poppies, 343-446, Rachel. 11. 5/4 Poppies, finish, Jane.

Tuesday, May 3, 2011

Joseph-Ghosh-5/4


I’m currently mulling over two essay prompts:

1. eccentricity and the flight from reality in south asian fiction (are characters with strange hobbies and preoccupations reflective of a desire to avoid confronting a difficult reality?)

The erotic pleasure that Burnham gets from being punished(I found the whole of Chapter Thirteen to be rather bizarre, in format and action), the state of witchcraft in A Bend in the River(I may also use Naipaul’s ‘The Masque of Africa’ as a companion text), the reversal of words and other word games in God of Small Things, and the many eccentric characters in Midnight’s Children.

                          or

2. Name changing/fluid identities

I am thinking of these moments, among others: Kalua and Deeti changing their names to ‘Aditi’ and ‘Maddow Colver’(pp. 277),  Mamdoo-tindal  dressing as a woman(his alter ego Ghaseeti) and his belief that none of the women could ‘match the allure of his alter ego’)(pp.350),  the ‘single Siamese soul’ in God of Small Things, and the much bigger, All-India radio soul in Midnight’s Children. I am still working on this prompt in relation to A Bend in The River.

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